Bass Pedals

MXR M288 Bass Octave Deluxe
The M-288 Bass Octave Deluxe is a dual-voice octave pedal from MXR Bass Innovations that offers organic analog tone, true bypass, and a wide variety of tone shaping options. Powered by a single 9 volt battery, MXR's 18 volt Constant Headroom Technology (CHT) provides studio-performance headroom and superior tracking.
Use the Dry knob to mix your direct bass signal with the octave effect, or hit the Mid+ switch to add up to 14dB of internally adjustable low-mid punch or pop. Bass players will love the two separately processed and individually voiced octave controls-Growl (for throaty, midrange octave-below tone) and Girth (for deep and smooth octave below).
The Bass Octave Deluxe comes in a durable, lightweight aluminum casting and has the same high-quality jacks and switches that have made MXR pedals the road-ready standard on pedal-boards around the world for 30 years.

MXR M82 Bass Envelope Filter
The Bass Envelope Filter delivers classic, analog, envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. It's wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack as well as adjust for passive or active basses.
The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

MXR M87 Bass Compressor
Take your favorite studio compressor to the stage with the MXR M87 Bass Compressor. A complete array of controls - Attack, Release, Ratio, Input, and Output - makes it easy to fine-tune your sound, from subtle peak limiting to hard squashed compression effects. Its CHT™ Constant Headroom Technology gives you plenty of headroom and clear performance. This totally transparent compressor allows your full dynamic range to shine through until your signal reaches the compression threshold, which is indicated by the ten, highly visible gain-reduction status LEDs. It's all packed into a durable, lightweight aluminum-housing pedal that's the size of a Phase 90.

Input: 1/4"
Input Imdepance: 1M ohm
Controls: Meter, Release, Attack, Output, Ratio, Input, On/Off Footswitch (True Bypass)
Output: 1/4"
Power: single 9 volt battery, or 9VDC adapter
Price: $189.99

Soundblox Bass Envelope Filter
The Bass Envelope Filter is a continuation of the evolving line of Source Audio effects optimized specifically for the bass guitar. There are 21 different envelope filter effects to choose from including 2 Pole and 4 Pole Low Pass variations, Single Peak, Triple Peak, Peak/Notch variations, as well as Phaser settings. Each of these settings can be further modified with a variety of control options including positive/negative filter sweeps, sweep range, attack and decay speed settings, or frequency range selection. All Soundblox effects pedals are compatible with the Hot Hand Motion Controller - available separately in wireless or wired configurations. Soundblox pedals provide a wide variety of original sounding effects in a sleekly designed, rugged package that is easy to use and highly flexible.

Soundblox Multiwave Bass Distortion
The Soundblox Multiwave Bass Distortion features the same multi-band process that made the original Multiwave guitar pedal so popular, but this time, the Source Audio engineers adapted the process to compliment the unique frequency range of the bass guitar. Multi-band processing divides a signal into multiple bands then distorts them individually, giving musicians unprecedented levels of sound clarity and note articulation. Bassists can effectively combine complex chords and intervals with distorted tones - the Multiwave eliminates the mush and allows each note to ring clear and true.
Users have access to 23 distinct and modern sounding distortions that go far beyond traditional sounds. They range from "normal", for a somewhat traditional distortion curve, to extreme "foldback" and "octave" settings for more aggressive and synth-like tones. Each distortion type is further customizable via the drive control, and separate clean and distorted level knobs. This advanced sound control alleviates the tendency for low-end reduction associated with most bass distortion units. The Multiwave Bass is also compatible with the Hot Hand® motion controller, adding even more expressive possibilities.

Radial Engineering BassBone
The Radial Bassbone is a power-packed bass preamp that combines real-world functionality with amazing tonal control, making it the ideal front end for live performance and studio recording. Designed as a bass command center, the Bassbone features two separate channels with independent level controls and powerful EQ to let you perform with two basses on stage and instantly select between them with a footswitch. With Bassbone in your rig, each bass is treated separately - no more compromising! . On-demand access to the combination effects loop and power booster lets you introduce effects and gives you that extra kick when needed. The Bassbone is also equipped with a built-in Radial direct box that sends 'your sound' to the mixer the way you want it. There's even a separately buffered tuner out that lets you monitor and tune on the fly. Bassbone - the ultimate command center for serious bass players.

T-Rex Engineering Bass Juice
The T-Rex Bass Juice Rediscover the joys of adding juice to your sound. This beauty offers organic distortion specially designed for bass. In normal mode (boost function off) it delivers awesome sustain with rich creamy overtones and big bottom. Engage the boost function and you are in fuzztone heaven! The mix knob let's you blend just the right amount of distortion with your original clear tone. Remember that Jamiroquai sound, where it sounds like the bass kicks the paper of the speakers. The BassJuice can do that - and many other things.

Boost: switches between moderate and high gain
Gain: controls overall distortion
Level: controls the master volume
Tone: adjusts a broad range of frequencies and provides great tonal control
Mix: blends dry/overdriven sound
Switches: Boost On/Off, Effect On/Off
Power: 9 volt battery operation or DC adapter
Price: $239.00

T-Rex Engineering Octavius
The T-Rex Engineering Octavius is our take on this unusual and powerful effect. A tri-tone generator with a perfect set of controls and a brilliant BOOST function, Octavius gives you everything you could want in octave generation - plus incredible T-Rex tone

T-Rex Engineering Sweeper
What would the history of music sound like with no chorus on the bass? Frankly, it's hard to imagine. Without that gorgeous sweep that lifts the bass from its old role as a tuned kick drum to a vibrant, colourful instrument that often defines the sonic texture of a song, a lot of music simply wouldn't be. Without the chorus bass, there'd be no funk, no modern pop ballads, certainly no fusion jazz, not much heavy metal, and a lot less rock. Without the chorus bass, great music just wouldn't be as great.
That's why T-Rex Engineering has created The Sweeper - a stunning chorus pedal for the bass that revives the sound of the chorus and gives bassists working in all styles of music a new tool for delivering classic bottom end.

T-Rex Engineering Squeezer
The T-Rex Engineering Squeezer is a tube-driven compressor for studio, guitar and bass use. It smoothens out your sound and keeps you right where you want to be in the mix - while enhancing your sound with rich tube warmth. And it naturally gives you complete control of all essential parameters, letting you craft a compression that's all your own.
Bass players tend to get buried in the mix - and it's not just because guitarists are always turning up the volume! Your bass has a low frequency range, which makes it difficult for the human ear to distinguish in the first place. And the techniques bass players use - from atmospheric open-string drones to popping and slapping - cover a wider dynamic range than almost any other instrument in your band. Squeezer evens your dynamics out, making your lines come through at the right level, no matter how you're playing.
Compressors can be placed in the beginning or in the end of the pedal chain. For long sustain, the compressor should be placed after the distortion pedals.